Bruce and Joan's Excellent Adventure

Well I came by your house the other day, your mother said you went away
She said there was nothing that I could have done
There was nothing nobody could say
Me and you we've known each other ever since we were sixteen
I wished I would have known I wished I could have called you
Just to say goodbye Bobby Jean

Now you hung with me when all the others turned away turned up their nose
We liked the same music we liked the same bands we liked the same clothes
We told each other that we were the wildest, the wildest things we'd ever seen
Now I wished you would have told me I wished I could have talked to you
Just to say goodbye Bobby Jean

Now we went walking in the rain talking about the pain from the world we hid
Now there ain't nobody nowhere nohow gonna ever understand me the way you did
Maybe you'll be out there on that road somewhere
In some bus or train traveling along
In some motel room there'll be a radio playing
And you'll hear me sing this song
Well if you do you'll know I'm thinking of you and all the miles in between
And I'm just calling one last time not to change your mind
But just to say I miss you baby, good luck goodbye, Bobby Jean

Bobby Jean by Bruce Springsteen, Freehold

Sad news from yesterday's Asbury Park Press.  Journalism is going through tough times now with foreign press/magazine offices under assault in Denmark and France; nightly newscasters thrown under the shadow of doubt and miscommunication; war zone terrorism and captivity; and the recent deaths of the Times's David Carr and WWOR's Joe Franklin.  Among Jersey Writers, we lost the real deal:  Joan Pikula, a reporter who followed a young band called Child with that 'wild' guitar player, Bruce Springsteen; Child and that 'way-out' keyboard man, Danny Federici; Child and that fantastic drummer, Vini Lopez.

Here's Joan in 1972, when she was covering Child, then Steel Mill 

"because that's all the kids are talking about."

Peter Ames Carlin in his well-documented tome Bruce from 2012, credits Pikula for her early stories in the Press that brought Bruce's band Steel Mill to the "light of day." (Here are some comments about Steel Mill by Dave Marsh in Bruce Springsteen on Tour: 1968-2005.)

Joan Later became the editor of Dance magazine, where she interviewed John Travolta (and later George Balanchine.)  Here's her take on the purpose of dance, even disco, as part of a reflection on the impact of Saturday Night Fever: Joan Pikula wrote in Dance Magazine at the time that: “For some, dancing is a release, an outlet for the daily frustrations and monotonies.For them, abandonment to movement is an addendum to life – supplemental rather than essential in nature. These are the people who Charlestoned through the 'twenties, jitterbugged through the 'fifties, and moved in solitary fire and fury through the `peace and love' music happenings and exploitive go-go clubs of the rocking 'sixties.”  (as reported by Emanuel Levy) 

Goodbye, Joan.  You had "the eye" and "the ear" for something that changed the world of music.  According to my rocker friend, "I started hanging out in AP and Long Branch with the band and followers in 1972. I was 16 and had a fake ID. Drinking age was 18 back then. We always landed at the Inkwell in West End and Danny Federici, Bruce and co often landed there too along with other artists. It was a time. Joan was bad ass and she knew rock and roll. We all did."

Today's Writing Prompt:

Write three possible names for bands that reflect something about where you grew up.  Tell the stories behind the names.  Suburban Landmines? The Bergenlines? Mikey and the Blue Jays?

Keep reading and writing,

Maureen

Winter Trees

William Carlos Williams, 1883 - 1963

All the complicated details 
of the attiring and
the disattiring are completed!
A liquid moon
moves gently among
the long branches.
Thus having prepared their buds
against a sure winter
the wise trees
stand sleeping in the cold.

…Doc Williams, Rutherford

Welcome to Lent, to another snowbound day, to the first glimpses of sunshine in a week.  The trees are not dead; they are at rest, having completed another annual sequence of dressing and undressing.  During this season, we are also waiting, preparing ourselves for the spring that lies ahead.  Instead of giving something up, what are we to take on?  What are we going to lift up instead?

Today's Writing Prompt:

Williams' line "A liquid moon moves quietly among the long branches" is like a haiku within the walnut shell of this short poem, a beautiful image of white, cold light.  Take a few minutes to create a clear winter image.  Later on, put it in the middle of something else.

Keep reading and writing,

Maureen

Do you know what work is?

We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is--if you're
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fingers,
and of course it's someone else's brother,
narrower across the shoulders than
yours but with the same sad slouch, the grin
that does not hide the stubbornness,
the sad refusal to give in to
rain, to the hours wasted waiting,
to the knowledge that somewhere ahead 

a man is waiting who will say, "No,
we're not hiring today," for any
reason he wants. You love your brother,
now suddenly you can hardly stand
the love flooding you for your brother,
who's not beside you or behind or
ahead because he's home trying to
sleep off a miserable night shift
at Cadillac so he can get up
before noon to study his German.
Works eight hours a night so he can sing
Wagner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoulders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You've never
done something so simple, so obvious,
not because you're too young or too dumb,
not because you're jealous or even mean
or incapable of crying in
the presence of another man, no,
just because you don't know what work is. 

…"What Work Is," Philip Levine, Detroit

Directing you to this article from The Economist regarding the selection of Philip Levine as our Poet Laureate.  In this piece, Levine is connected to Jersey Guys Walt Whitman and F. Scott Fitzgerald, two looming figures in the manufacture of the American Dream (always different things to different people.)

Levine passed this week, after a life of observing the classism in America and the mindless drudgery of some people's work.  Was he our Emile Zola?  Were our cleaning ladies France's miners?  He does not sing the song of altruism and the value of work; he acknowledges the process of grinding down the grain.

Today's Writing Prompt:

Consider your work today. Write carefully about doing a single mundane task involved in your daily process.  Capture the details, feel the textures of what's around you.

Keep Reading and Writing,

Maureen

At thirteen, I screamed,
“You’re disgusting,”
drinking your coffee from a saucer.
Your startled eyes darkened with shame.

You, one dead leg dragging,
counting your night-shift hours,
you, smiling past yellowed,gaping teeth,
you, mixing the eggnog for me yourself
in a fat dime store cup,

how I betrayed you,
over and over, ashamed of your broken tongue,
how I laughed, savage and innocent,
at your mutilations.

Today, my son shouts,
“Don’t tell anyone you’re my mother,”
hunching down in the car
so the other boys won’t see us together.

Daddy, are you laughing?
Oh, how things turn full circle,
my own words coming back
to slap my face.

I was sixteen when you called one night from your work.
I called you “dear,”
loving you in that moment
past all the barriers of the heart.
You called again every night for a week.
I never said it again.
I wish I could say it now.

Dear, my Dear,
with your twisted tongue,
I did not understand you
dragging your burden of love.

…"Betrayals" by Maria Maziotti Gillan, Paterson

Recently, I was told that I have a "blue collar mentality."  What a wonderful thing to have, especially as the great writing of New Jersey often issues from that stream.  I have been pondering, though, what, exactly, the expression means.  Sure, the term "blue collar" itself refers to laborers at the turn of the last century who wore blue shirts to work, non-management types who built everything we are standing or sitting on right now.  People who wear  uniforms -cops, nurses, firefighters.  Some had more education than others did, but they still worked with their hands and brains to get things done.  Nobody made them coffee; nobody handed them their schedule at the beginning of the day.  What, then, is the mentality of a person like this?
I am still trying to get it.  I guess it means that I don't think like a rich person, that I have no sense of entitlement or that I am owed anything.  Everything a blue collar person gets, she gets by working.  Maria Maziotti Gillan knew that about her father; she knew it about all the Italian-Americans in her working-class neighborhood in Paterson.  She knows it now and it still informs her newest publication The Girls in the Chartreuse Jackets.  In these pieces, women who have earned their joy get to celebrate it.

Today's Writing Prompt:

Describe your working mother, father, husband, wife, as that person enters the door of your home when returning from a day of work.  What are the motions?  What weight is lifted?  What weights are loaded on?  What happens first before anything is said?  What is your role in this person's arrival?

Keep reading and writing,

Maureen

DON'T MISS THIS!  I'll be there!  Join me!

The over-all picture is winter
icy mountains
in the background the return

from the hunt it is toward evening
from the left
sturdy hunters lead in

their pack the inn-sign
hanging from a
broken hinge is a stag a crucifix

between his antlers the cold
inn yard is
deserted but for a huge bonfire

that flares wind-driven tended by
women who cluster
about it to the right beyond

the hill is a pattern of skaters
Brueghel the painter
concerned with it all has chosen

a winter-struck bush for his
foreground to
complete the picture

…The Hunters in the Snow by William Carlos Williams, Rutherford

Doc Williams of Rutherford and Paterson on a winter's day here in New Jersey.  (That downward slope suggests a waterfall, no?) A poem from a painting - art begets art.  A study in depth-of-field.  What were you hunting for today?

Today's Writing Prompt:

Walk around your house and find a picture that you have always liked.  Tell its story in a poem, paragraph, or story.  Not your own story, now, but the story being told by the storyteller.  Right now, I am looking at a framed copy of the Abbey Road album.  Remember how many stories were told about that picture?  How could Paul be dead if he was at the Super Bowl on Sunday?

Keep reading and writing,

Maureen

Once more unto the breach...

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour'd rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o'erwhelm it
As fearfully as doth a galled rock
O'erhang and jutty his confounded base, 
Swill'd with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base,
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game's afoot:
Follow your spirit, and upon this charge
Cry 'God for Harry, England, and Saint George!'
                                                         …Henry V, Act III

 

   All-grown-up Prince Hal/King Henry a Jersey guy?  Well, not at all, really.  I chose this passage today because it's about being brave, trying the same thing again and hoping for a victory this time, and heading the call to "follow your spirit."  On this wet and wintry day on what were once the fields of Middlesex, I am seated across from my own Agincourt, a populated box as active as Harfleur and just as daunting. I am trying, as overwhelmed as I am by the great numbers of other writers, the lousy weather, the lack of respect I have been shown lately, and the great many St. Crispian's Days I have passed,  to be a writer.  
     I used to tell my students that the only difference between them and writers was that writers actually wrote something.  Neil Gaiman, it seems, would agree.  Now it is time for me to face that fact myself.
     So, I am a Jersey Writer, too.  I will still report to you about the great work of the great writers from our great state, but I will also keep you informed about the writing process as I go through it myself.  "It's never too late to be what you might have been."  I will also return to my "Today's Writing Prompt" element .  I hope that they help you to think and make you read and write.  First word of advice?  Don't think so much that you forget to write anything!

Today's Writing Prompt:

We are being visited by various mushy forms of snow, sleet, and rain here in the Garden State.  It's nothing like e.e. cummings' "mud-luscious" and "puddle-wonderful" spring day.  Write a short poem in which you play around with the word slush.  (Is it a noun or a verb?  A command?  What does the dictionary say? ) Send me your poem with an image attached.

Keep reading and writing, my band of brothers,

Maureen